The MirrorARCHIVES: May 15 - May 21.2008 Vol. 23 No. 47  

MUSIC



BEST SINGER/SONGWRITER #1, CLOSEST TO SAINTHOOD #2,
MOST DESIRABLE MAN #1, BEST-DRESSED #1,
BEST LOCAL LIVING AUTHOR #1: Leonard Cohen


Best Musical Act

1. Arcade Fire
2. United Steel Workers of Montreal
3. Code Pie
4. Velvet Trench Vibes
5. Wolf Parade
6. Sam Roberts
7. Plants & Animals
8. Kalmunity
9. Stars
10. Chromeo

Honourable mentions: The Unsettlers, Turtleboy, Patrick Watson, Duchess Says, Creature

The fire still rages for Arcade Fire, again at the top of this list for the fourth year running. There is, however a proletarian uprising in roots rockers USWM coming in at #2 (they also aced the Country/Folk category). Hardworking ambient rockers Code Pie and hip hop crew Velvet Trench Vibes outdo high-visibility exports Wolf Parade and Sam Roberts (who on the other hand had fallen off the list entirely last year). Plants & Animals made a lot of noise with their recent debut Parc Avenue, enough to vault them ahead of the expansive Kalmunity collective and Montreal standbys Stars and Chromeo.

Freakiest local act

1. Tony Ezzy
2. Duchess Says
3. Death Boat
4. AIDS Wolf
5. Pad Class
6. Chronicles of Israfel
7. Mado Lamotte
8. The Unsettlers
9. Trigger Effect
10. Creature

The city of Montreal seems to be pretty fecund soil for quirky, oddball personalities, and so there’s no shortage of weird sounds, outrageous behaviour and utterly confounding outfits to be found paraded on local concert stages. Be it the left-handed loverboy grooves of Tony Ezzy or the bad-boy business of Trigger Effect, the electro-spasms of Duchess Says and noise attack of AIDS Wolf, the playschool pirate schtick of metal marauders Death Boat or the theatrical chic of Creature, acting out and acting up are par for the course.

Most Pretentious Local Act

1. Arcade Fire
2. Jonas
3. The Stills
4. Simple Plan
5. Amanda Mabro
6. The Dears
7. Peer Pressure
8. Omnikrom
9. Rufus Wainwright
10. Wolf Parade

Honourable mentions: A Silver Mount Zion, AIDS Wolf, Creature, Patrick Watson, Mission District, Celine Dion and (you guessed it) godspeed you! black emperor.

Heaviest Local Act

1. Priestess
2. Bionic
3. The Chronicles of Israfel
4. Death Boat
5. Trigger Effect
6. FAMN
7. AIDS Wolf
8. Arcade Fire
9. CPC Gangbangs
10. Dutch Oven

With Priestess and Bionic in the top two slots again this year, it’s clear that while Montrealers like their tunes cranked up to 11, they’re willing to trade off a little of the pure sonic thud for a good, hooky melody. The Chronicles of Israfel, a prog-metal offshoot of locals Pulse Ultra, who are inspired in part by violent Japanese cartoons, nail down a nice #3, followed by Death Boat, whose heaviness is likely due to all the plundered booty weighing down their pirate ship. Yo ho ho and a bottle of whatever’s on special at the SAQ!

Best Hip Hop Act

1. Nomadic Massive
2. Velvet Trench Vibes
3. Annakin Slayd
4. Chase Stacks
5. FAMN
6. Mugz
7. Omnikrom
8. Skratch Bastid
9. Natural Born Artist
10. Kalmunity

Multifaceted, polyglot collective Nomadic Massive’s wanderings have brought them to the top of the category this year, up two spots from last year’s BOM. Annakin Slayd, meanwhile steps up by one, though Omnikrom have slipped down two. Some new names get fame here this year—Mugz, Haligonian transplant Skratch Bastid (who did the wicked production on Buck 65’s last record) and Chase Stacks, who manages to mix a stush, upscale vibe with a dose of downmarket dirt.

Best Club DJ

1. Truspin
2. Peer Pressure DJs
3. Keith Dean
4. Skratch Bastid
5. Team Canada
6. Torus
7. Diamond Cut
8. Stevie V
9. Peter Black
10. IBra


Honourable mentions: Sarcastic, Cherry Cola, Kwite Sane, Jordan Dare

True or false, whatever Truspin is spinning, it’s spun this resident of Wunderbar and Blue Dog right to the top, a gobsmacking leap from seventh place last year. He’s knocked Team Canada out of first place, perhaps a result of low visibility for globetrotters Grand Theft and D.R. One. Peer Pressure’s A-Rock & Hatchmatik make an amazing debut on this list, at #2 (no pressure…), and Saphir’s Peter Black sneaks in to offset the bling-bringers with a lil’ bit of batcave cool.

Best Country/folk Act

1. United Steel Workers of Montreal
2. No Barbers Required
3. Notre Dame de Grass
4. Lake of Stew
5. Ladies of the Canyon
6. Li’l Andy
7. Katie Moore
8. Rob Lutes
9. Lee Mellor
10. The Unsettlers

No tremendous changes at the top in this category. United Steel Workers maintain the steel-fisted grip on first place and No Barbers maintain their required #2, while the next four winners are only slightly rearranged from last year. Absent last year but ranking in ’08 are Rob Lutes (whose recent album launch boosted his profile), Lee Mellor and the delightfully unsettled Unsettlers.

Best Jazz Act

1. Oscar Peterson
2. Turtleboy
3. Kalmunity
4. Oliver Jones
5. Amanda Mabro
6. Dave Turner
7. Jordan Officer
8. Nikki Yanofsky
9. Ranee Lee
10. Stina August

Peterson again takes the top slot, despite or perhaps because of his passing late last year—an iconic figure in jazz, this hometown hero with the giant paws will be missed. Second spot is an insurgent grab by newcomers of sorts Turtleboy (see interview). In fact, with the exception of guitarist Officer and ol’ standby Jones, this list is entirely names not present in the local-jazz top 10 last year.

Best Singer/songwriter


BEST SINGER/SONGWRITER #3, BEST COUNTRY/FOLK ACT #9: Lee Mellor

1. Leonard Cohen
2. Rufus Wainwright
3. Lee Mellor
4. Patrick Watson
5. Sarah Pearson
6. Pierre-Alain Faucon
7. Celine Dion
8. Maia Davies
9. Pascale Picard
10. Amanda Mabro

Cohen’s our man, again—no surprise that his rare Jazz Fest appearance, coming up this summer, is possibly the most anticipated show of the year. Rufus knocks Sam Roberts out of second place and in fact off the list—Sam, get that new record out and get back in the game. Lee Mellor, a rootsy, rough-hewn raconteur type in the vein of Dylan and Steve Earle, rockets up to third place from ninth. Pat Watson sits pretty at fourth, no shift from a year ago, while Maia Davies drops two slots—shut down by none other than la Celine!

Best Busker

1. Spoonman
2. Spider-Man
3. Nose Flute Guy
4. Stilt Man
5. Hugger Busker
6. Drum Guy on Ste-Catherine
7. Peruvians in the metro
8. Bad News Brown
9. Hollywood
10. Michael Jackson Dancer

Honourable mentions: Sitar Dude, Accordion Guy, Blind Singing Family at Guy metro

With some slight up-and-down movement, the kingpins in this category remain the same, local icons that they are (Drum Guy was absent last year but he and his margarine buckets are back in force in ’08). Spoonman, as ever, takes the top ranking—clackity clack, tabarnac!

Best Local Music Label

1. Indica
2. Ninja Tune
3. Turbo
4. Alien8
5. Good Friday
6. Secret City
7. Dare to Care
8. Youngstar United
9. Constellation
10. Stomp

Honourable mentions: Signed by Force, Urban Handed Works, Audiogram, Justin Time, Milagro

 


Scute of repute

>> Newly-hatched jazz band
Turtleboy stick their necks out


SOFT SHELL: Turtleboy

By RUPERT BOTTENBERG

Don’t let the photo fool you. Turtleboy, a new—but, given their second-place ranking in the Best Jazz Act category, consequential band on Montreal’s jazz scene—is a trio. The lumpy green dude you see is a sort of mascot or imaginary friend. “The name of the band came from this ridiculous little story I made up,” laughs sax player Jonathan Lindhorst, “about this guy who came from another dimension, who’s half-turtle, half-man.”

An odd choice as the trio are neither slow-moving nor withdrawn into their shell. In less than a year, Turtleboy has gone from the stuff of idle chatter while Lindhorst, a “hardcore jazz traditionalist,” and guitarist Ryan Butler, jazz-friendly but rooted in Hendrix and such, worked a cruise ship contract, to a focused and ambitious unit packing their calendar with gigs and recordings (five shows in the next month plus studio time towards a debut album).

Butler and Lindhorst had already bonded over a particular act, the Paul Motian Trio with Bill Frisell and Joe Lovano. “Lovano is one of my biggest influences and Frisell is one of Ryan’s biggest.”

Motian’s trio settle in every September at NYC’s famed Vanguard venue, and a couple of years ago, Butler and Lindhorst made a pilgrimage to meet their idols. “I got a lesson with Lovano and Ryan got to hang out with Frisell for a bit. They explained the concept of that band to us, we got to watch them every night for a week and it was such an inspiring experience. That’s when we decided we wanted to do a bass-less trio.”

Fate would leave them no choice. Lindhorst got a café gig during the Jazz Fest last year, but bassists were scarce. “I was even calling high school students! Everyone had a gig!” So sax, guitar and drums (c/o Adam Miller, schooled in Indian polyrhythms) it was. The result is a gentle yet vibrant sound that spotlights no one player but rather the equitable interactions of all three.

“Traditionally in jazz, you have the head-solo-solo-head-out thing. It’s very compartmentalized. We wanted to be more about the group dynamic, the interaction and the compositions themselves.”


Space on his case

>> Funky freak Tony Ezzy gets the message



BLOOMIN’ STRANGE:
Freakiest Local Act #1 at Best Florist #1

by SCOTT C

The winner this year in the Freakiest Local Act category, Tony Ezzy proudly takes the cake as one of the city’s strangest inhabitants, carrying on a rather dutiful yet addictive and excessive relationship with his longtime girlfriend, music. Ezzy’s work as a hired gun at Parc Avenue’s La Hacienda Studios ensures that he spends most of his time writing, recording and playing music, but it also means that there are many more chances for the music to come forth and make an appearance. Since I moved out of the building adjacent to Tony’s studio last November, I’ve missed the late night recording sessions, and wonder how I’ll ever sleep again without the soothing sounds of the bass clarinet at 4 o’clock in the morning to guide me through my slumber.

Many have compared Ezzy’s work to the early multi-instrumentalist output of Prince, but more recently, his unique sound has been compared to contemporaries like Plantlife and James Pants. When asked how he felt about being voted Montreal’s freakiest local act, he simply replied, “I give special thanks to the constant bombardment of telepathic messages that I receive from extraterrestrials, that are finally starting to make sense.”

I’m not sure if his music comes from aliens, angels or beings of light for that matter, but I’m pretty sure it’s not of this world. Ezzy could probably get more inspiration out of half a baguette, a bag o’ chicken wings and a Tuborg king can than most of you got from years of going to church every Sunday, so watch out. The freaky genius of Tony Ezzy is alive and kicking in Montreal.


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