|
All about Armand
The Biennale de Montréal opened last week amidst talk of funding cutbacks and gossip that the exhibition Agora: the Public Domain just isn't as good as expected. I heard various complaints about the lack of artists and that the exhibition locations are more impressive than the art. But the real focus of this Biennale isn't international contemporary art, but Quebec art legend Armand Vaillancourt, who has been making public art for the past 50 years. The main location is the ex-Gazette building in Old Montreal (250 St-Antoine W.). The gigantic space where the presses once were is now rather oddly filled with various sculptures, installations and photographs of Vaillancourt's work. The presentation is neither clear nor particularly appealing, but rather serves as a backdrop for the larger-than-life personality of Vaillancourt himself. The artist (the guy pacing around with the long white hair and full beard) has moved into the cavernous space, brass bed and all, to live, rant and work for the duration of the exhibition. So, rather humorously, the highlight of a show about public art for me was the one-on-one private discussions with the artist: reinforcing the truth that what is important in public art is not location, but the interactions that happen with the viewers. For more info, see www.ciac.ca. » Christine Redfern Eccentric avenue
Hollywood hack-up
Beatbox generation
This Saturday, Quadraceptor takes the stage along with Klezmer hip hop artist SoCalled and reggae/beatbox maestro Matisyahu. "I play all my own instruments, I sing, do some spoken word, I rhyme a bit - it's a whole package, a one-man show," says the Quad. The show takes place Oct. 2, 9 p.m. at Petit Campus (57 Prince Arthur), $10. Pop Montreal also presents the dynamic Nah-ee-lah, appearing tonight, Sept. 30 at Balatou (4372 St-Laurent) at 11 p.m., $8. She's taking part, along with d'bi youngdub and many others, in the two-day free conference Mixing Pop & Politics, at the Just For Laughs Museum (2111 St-Laurent), Oct. 1–2. » Vincent Tinguely Is it Art?
ArtsHole DANCE AUTOPSY! Repetitive movements that bring to mind autism, paranoia and schizophrenia form the core of New Yorker Chris Yon's Teardrop Terror, a series of three cynical and humorous solos interpreted by Taryn Griggs at Tangente (840 Cherrier). The evening is rounded out by Marie-Pascale Bélanger's Un 2 sur le dos, a "dance autopsy" based on the theme of illness, Sept. 30–Oct. 2, 8:30 p.m.; Oct. 3, 4 p.m. INTERVENTION CONVENTION: In conjunction with the Biennale, Artexte is hosting a four-day convention with artists' panels galore on interventionist and public art. Contemporary Art and Public Space continues until Oct. 2 at the MAI (3680 Jeanne-Mance), www.artexte.ca for the full schedule. ARTISTAT: Number of chalk sticks used by hundreds of children last Sunday, Sept. 26, at Place d'Youville, in creating what organizers hope might make the Guiness Book of World Records as the biggest chalk fresco in the world, with proceeds going to Big Brothers Big Sisters: 1,200 |
| MIRROR ARCHIVES » Sep 30-Oct 6.2004: INSIDE - COVER | ARCHIVES INDEX | CURRENT ISSUE SITEMAP | STAFF |
| © Communications Gratte-Ciel Ltée 2004 |