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Film fiesta >> Magnifico turns seven as Ex-Centris turns five |
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by MATTHEW HAYS
And this year's event unfolds during fifth-birthday celebrations for Ex-Centris, the miraculous, one-of-a-kind movie centre that stands as a potent symbol of both Montreal's love of cinema and the rejuvenation of the Main. Built and launched by Softimage founder Daniel Langlois, the Ex-Centris has proven a stunning success, by any standards. Best of all, as Langlois has repeatedly stated, he didn't build it to make a fast buck, but rather to celebrate and expand the cinematic medium. It's a huge source of civic pride: when I attended the Lake Placid Film Festival last weekend, many of the visiting critics and filmmakers asked me about Ex-Centris - the complex has clearly gained an international notoriety, and rightly so. This year, Magnifico will premiere eight films, including Takeshi Kitano's eagerly anticipated heavy-on-the-sword-fights epic Zatoichi, Roger Michell's The Mother (a controversial family melodrama written by demigod Hanif Kureishi), Patrice Leconte's Confidences trop intimes (about a woman who mistakes a financial advisor for a shrink and begins to tell her intimate life stories) and Jonathan Demme's celebrated doc The Agronomist. But there's more! This year sees the launch of Cinéoké, a new and wacky way to impress your buddies while drunk. This is the movie version of karaoke; basically, you choose a scene, go up on stage and act it out while the film runs on a screen behind you. (No, we're not making this up.) It sounds ludicrous, but the more I think of it, there are a few scenes from Planet of the Apes, The Stepford Wives (the original, not the remake) and What Ever Happened to Baby Jane? that I need to get out of my system. Magnifico runs from June 16–20. |
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