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Forget that the central character, Kowalski (Barry Newman), has no redeeming qualities. Nope, that didn't stop audiences from turning this film into a cult sensation. Don't worry about the fact that this movie barely has a plot and that no character motivation is ever offered - none of that silly rot is needed, really. Instead, we see the mean and cool Kowalski commit to driving from Denver to San Francisco in a mere 15 hours, with the help of some trusty speed pills. If it only weren't for those miserable, dreadful cops that he keeps having to dodge. I kind of liked the existential element of this movie, with Kowalski a stand-in for our collective sorry lives of drudgery. (Not everyone agreed; critic Jon Carroll bluntly stated: "Burn this film.") An odd but defiant movie, drug soaked, aimless and loaded with wicked auto stunts. » Matthew Hays |
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