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Bygones gone,
That you could find bare breasts on a Ste-Catherine street stage would hardly raise an eyebrow these days, but back in 1965 when Les Ballets Africains were pulled for performing topless, it caused quite a stir. Authorities at Place des Arts put an abrupt halt to the show and the dejected Guinean dance troupe swore they'd never come back to Montreal. It seems the situation has had enough time to cool down, though. Les Ballets Africains are coming back for a one-night-only performance - one that compiles the best moments of the company's history. Choreographer and company founder Keita Fodeba was deeply involved in Guinean politics - so much that it eventually cost him his life during the country's war for independence when he was murdered in prison 34 years ago. But Fodeba lives on through his dance company, which is now celebrating its 50th birthday. The 35-member troupe uses traditional West African music, theatre, dance, acrobatics and storytelling to showcase Guinean culture this Sunday, March 14, at 8:30 p.m., $32-$48, 790-1245 for more info. » Marites Carino String fever
Roots stoke
Performance theory
Curators Michèle Thériault and France Choinière focus on this hybrid work in two consecutive group exhibitions at Dazibao (4001 Berri). Now on view is POINT, a collection of work made between 1968 and 1981 by seminal international artists Vito Acconci, General Idea, Suzy Lake, Arnulf Rainer, Paul Wong and Max Dean. The important issues raised by these early practitioners still resonate in contemporary art practices. How these past ideas are being reinterpreted and reworked by today's artists will be the focus of the next exhibition, SHOOT, as well as a day-long performance event, La lumière comme surmoi, organized in collaboration with Sylvie Cotton. POINT runs until April 10. » Christine Redfern Is it Art?
ArtsHole HARDCORE POLITICS: Local multi-disciplinary artist Hermès links the Internet, the dangers of "anal-barebacking" and the connection between Christina Aguilera and gang bangs in true politico-hardcore style in Where Are the Weapons of Massive Seduction, a group show also featuring visual artists Alain Bonnes, Marc-André Jutras and Adele Zanni. It's at Galerie Artus (988 Rachel E.) from March 15-27. SACRED AND SUBCONTINENTAL: Ginette Dion-Ahmed, Manijeh Ali and Namchi Bazar present Rasa, a one-day-only performance of movements inspired by sacred Indian dance today, March 11, 8 p.m. at the Maison de la culture Frontenac (2550 Ontario E.), www.danserasa.org for more info. ARTISTAT: As Montrealers buy, buy, buy, the number of people expected at this year's Montreal National Home Show, a showcase of design, landscaping, renovation ideas and more at Place Bonaventure, March 19-28: 200,000 |
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