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The heat's on >> Nivoc and Mateo Murphy on underground electronica's hopes and fears |
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by RAF KATIGBAK
Mirror: As artists and label owners, how do you guys see the electronic music industry these days? Nivoc: It's collapsing. It's changing and morphing as well, but it's definitely collapsing - I run three record labels, I see the numbers. Pirating is the end of something but the beginning of something else. People need to realize that if they don't pay for anything, how is their favourite independent artist going to keep on going? Mateo Murphy: On the other hand, even in the best of times producers have never made that much money on records. A lot of DJs treat their music as a means of promotion, for the sole purpose of getting gigs. Now, with MP3s, musicians are just giving away their music in the hopes that it'll open up opportunities or get them recognition as an artist. N: But also people tend to forget how much it costs to promote and manufacture music - unless you're Sony Music and you own the radio stations. MM: Although it's different when you establish yourself and you're used to making money on releases. For the up-and-coming artists it's very different and they're the people that are going to adapt best to what's going on now. Because they're the people who don't have expectations of how things work. M: So what's your advice to young, bleep-oriented hopefuls out there? MM: Firstly, never send a demo that you wouldn't buy yourself, and second, don't give up. People who seem to be overnight successes usually aren't. Akufen's a perfect example - he's been making music for 20 years. N: My only advice is, send me your demos! I'll take care of the rest. At Mile End Bar tonight, Thursday, Feb. 12, 10pm, $5 |
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