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Mega-death >> Paper Recordings’ Elliot Eastwick on U.K. club downsizing |
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by RAF KATIGBAK
Mirror: In ’93, at the beginning of the huge mega-club trend in England, you got a residency at Hard Times. Recently some of the major mega-clubs, such as Cream and Gatecrasher, have closed their doors or have cut down their schedule. Do you feel there’s a trend away from these mega-clubs? Elliot Eastwick: Oh yeah, certainly, the places that everyone is talking about are the medium-sized clubs, places like Chibuku Shake in Liverpool and Stompa Phunk in Brighton. Fabric in London bridges that gap between a mega-club and a smaller, more underground thing. But I don’t know anyone who’s sad about the demise of Cream and Gatecrasher. It can only be a good thing. M: When I talked to your fellow Mancunian Andrew Barker from 808 State, he blamed the demise of the mega-clubs on their overtly commercial stance on clubbing. EE: For sure, they can try to make creative musical decisions, but when you’re trying to do that for 3,000 people twice a week, you’re inevitably going to go down the path of lowest common denominator. They tried to sell people a lifestyle and those people have now grown up and don’t want to be marketed to on a night out. People want more variety these days too. M: So are the days of the mega-clubs over in England? EE: Nah, there are still big, horrid, cheesy clubs playing banging trance, but we need that to exist to make what we do more of a reaction. If that wasn’t there, we would be the commercial side of the scene, and we don’t want that happening, do we?! : With Miles Hollway, Raj Hungund and Soul Sista, |
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