The art of war

>> Laissez-passer explores creativity
amid dire destruction

by JASON BOGDANERIS

Most movies set in World War II inevitably involve themes of courage and heroism. While Laissez-passer doesn’t shy away from sentimentality, its protagonists are more pragmatic survivors than selfless heroes. Bertrand Tavernier’s story of French film artists working during the Nazi occupation is a convincing portrayal of an era which still haunts the French psyche.

Based on the recollections of two wartime survivors, this unusual collaboration kept the French film industry active as the bombs fell. One is a pragmatic assistant director who continues to work when the studios are taken over by the enemy to feed his family and nourish his creativity. Like many in such a precarious position he walks a tightrope between open rebellion and subservience. Outwardly obedient to the new rules of the game, he nevertheless conducts covert acts of sabotage when given the chance.

The other man is a slightly buffoonish rogue with the gift of gab and an eye for the ladies. With “four scripts on the go and three women,” he’s a writer whose first priority is self-preservation. Recognizing his value as an artist to the “bourgeois” German producers who recruit him, he boldly bargains with his new bosses, forcing them to accept a down-and-out colleague before agreeing to work for them. It’s an uneasy trade-off that’s at the heart of this story which on one level is a justification for French collaboration. In wartime, everything-both material and spiritual-becomes negotiable. A man’s reputation is bartered for personal safety, or an artist’s integrity for a basket of eggs.

What’s refreshing about Laissez-passer is that it avoids facile moral judgements and stock portrayals of victims and victimizers. Even perennial cinematic bad guys the Nazis are treated with a rare subtlety. At nearly three hours, it’s a bit of a challenge to sit through, but ultimately succeeds thanks to a rigorous attention to detail. It’s a film full of integrity from a filmmaker whose love for the medium permeates every frame. :

Laissez-passer opens Friday, July 12

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