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Val Kilmers got the need for speed in The Salton Sea
by MARK SLUTSKY
Its
hard to tell, at least for the first 45 minutes, whether The Salton
Sea, a neonoirish crime drama featuring Val Kilmer as an avenging crystal
meth freak and occasional trumpet player, is really taking itself seriously.
In a cartoony sort of way its watchable in its slick badnessfor
a while, anyway. Then it gets all solemn and redemptive and you can
tell its numbers already up.
The movies directed by D.J. Caruso, a music video guy, in his
feature debut, and you can tell he digs David Finchers stuff a
little too much, another video guy turned movie director. Theres
the atmosphere of Seven, the self-aware gimmickry of Fight Club, and
while some of it is funthe little mini-documentary at the beginning
about the history of crystal meth is sort of punchytheres
not too much of a movie here.
The story, as it were, has Kilmer as a former jazz musician once happily
married to the gorgeous, model-like Liz (Chandra West), until a fateful
day at the titular Sea (which is apparently a symbolically potent salt-water
body in California). Vacationing at this cheery spot, the couple is
surprised by some masked baddies who kill everyone except our forlorn
jazzbo. Soon the poor broken dudes been turned on to crystal meth
and spends his time tweaking on gack, (as the
kids seem to be saying these days) in a treacherous criminal underground.
And a beautiful one at that; this is one of those movies where everything
is exquisitely down-and-out, like a highly stylized comic book. This
worked in Seven, but with a plot as silly as The Salton Seas behind
it (there are a lot of amazing twists, trust me), and with nothing else
at all going for it, it tires quickly. Kilmers okay, and he certainly
seems to give his all, but theres only so much you can do with
a part that requires you to wear a fedora and play a soulful trumpet
in a burning house, as he seems to do with alarming regularity. At least
its not a saxophone. :
The Salton
Sea opens Friday, May 17
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