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The bipolar career of John
Boorman is divided between the sublime (Deliverance, Hope & Glory)
and the wacky (Exorcist 2, Zardoz). I recently screened The Emerald
Forest and found myself entranced by it, in particular the performance
of Boormans own son, Charley Boorman, in the lead.
Powers Boothe stars as an engineer working on the construction of a
dam near the end of an undeveloped jungle. His son, then six, is snatched
up by an Amazon tribe and kidnapped. Boothe and his wife (Meg Foster)
are devastated. After a decade of searching, Boothe finally finds his
son, who is completely assimilated into the tribes culture and
has just gone through his puberty ritual. Just as he finds his son,
however, ruthless white developers move into the jungle, killing large
numbers of natives. Boothe then tries to help the tribe.
Boorman manages to make this scenario very believable, surprising considering
how out-there it all seems. (Its hard to tell how much has been
fictionalized, but the film is tagged as being based on a true story.)
Young Charley doesnt seem to have continued acting after this,
but he is really outstanding as the teenager brought up as an Amazon
tribesman.
The Score is out on DVD and video. It is mainly worth renting as a Montreal
travelogue and for Marlon Brandos utterly surreal appearance.
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Matthew Hays
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