Got it covered

>> Locals salute the bands that inspired
them at Omages Locos


by JOHNSON CUMMINS
nThere is nothing worse than seeing a cover band sleepwalking through the current hit parade. More times than not we get tired has-beens going through the motions on the latest Sum 41 atrocity, followed by some sort of Collective Soul or Tragically Hip abomination. Fortunately, there are any number of local rockers eager to show that a cover band can be a good thing—it just depends on who you’re covering.
To that end, Foufounes Électriques is once again putting on their successful cover-band soirée Omages Locos, with nine local bands from the heavy end of the spectrum saluting the bands they love. Where else are you going to see a tribute to hardcore heroes Minor Threat or black-metal godfathers Venom? The Mirror roundtabled some of Montreal’s heavy hitters and asked them why they chose the bands they did.

Michel Langevin (Voivod): The Sex Pistols
“I’ve loved The Sex Pistols since I was a teenager and Never Mind the Bollocks is the record I can still listen to all the time. It’s still really relevant today. Snake [Voivod singer who just recently re-joined the band] is going to be out of town so we’re getting Xavier from Caféine for that night because we thought he has the right attitude to sing the Pistols. What a lot of people don’t realize is that Voivod always felt closer to the Pistols than to, say, Slayer.”

Uncle Costa (Vulgar Deli): Venom
“I mean, c’mon, what do you think we were going to do, Red Hot Chili Peppers? Venom was my childhood dream band. I had pictures of [Venom singer] Cronos on my bedroom wall. My dad would waltz in and scream how he didn’t want the devil in his house and rip them to shreds. They are the godfathers of it all, everybody owes it all to them and Slayer. Now I got to try to memorize all the lyrics, they’re pure cheese.”

Marco Calliari (Anonymus): Metallica/Slayer
“Along with Iron Maiden, Metallica and Slayer were the first bands that we heard that made us want to start a band. When we were approached for this tribute night the decision of what we were going to do was automatic. I still listen to Slayer a lot today but unfortunately Metallica just aren’t as good as they used to be.”

Pat Gauthier (Raid): Red Hot Chili Peppers
“The Peppers really seemed to put fun in the music instead of being money-motivated. I hear the Red Hot Chili Peppers in our own music, especially in our bass player, who is a big fan of Flea. The way that they mixed funk and hardcore into their own music has really influenced us.”

Chantal Arroyo (Overbass): Minor Threat/Bad Brains
“The funny thing is that Overbass just played with a Minor Threat tribute band this weekend in Lac St-Jean. I like Minor Threat because of the energy with the attitude. I’ve been a huge fan of Bad Brains for years—our common band within Overbass would be something like Faith No More but that’s a lot of work and we’re in the studio right now so we wanted to do something more realistic. We have a different twist because we don’t have any guitars and it’s female vocals. The way Bad Brains could mix in reggae and hardcore in together is similar to how we work with Overbass.”

Blacky Lalonde (Collectivo): Latino classics
“This is really a new influence for me. A lot of the band members have roots in this music but I am just getting into Latino music now. Our Latino music is not really traditional because we like to approach it with our metal roots intact. We will be doing stuff like Mano Negra and los Fabulosos Cadillacs, which are definitely influences of ours. I just love the colours that come out of a lot percussion and brass and when you hear those beats and rhythms, it’s hard not to move to them.”

Dan Hetu (Bodybag): Led Zeppelin
“There are about nine people in the band so we picked Led Zeppelin because it was our most common band growing up. We play the songs a lot heavier and brutal, because we hope to show people the link between Zeppelin and a lot of the stoner rock that is happening now. Along with Sabbath and Deep Purple, Zeppelin are the real roots of heavy music.” n

At Foufounes Électriques on Sunday, Dec. 30, 7pm, $8 in advance, $12 at the door

 


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