Rough hewn rockKurt Vile on banjos, buddies and the day
|
“My dad was a bluegrass freak,” says Vile, one of 10 children raised to the sound of old Kentucky. “I probably wanted a guitar but he bought me a banjo, which I played like a guitar. But I’m glad I started with a banjo because you have an open tuning and that kinda expands your mind. You’re not stuck in the box of the guitar fret.” Guitar is Vile’s primary sound, the motor that drives the songs, the textures that make them distinct and the melodies that duet with (and occasionally stand in for) his rough-hewn vocals. At the age of 15, it was love at first touch. “My brother borrowed a guitar and I started playing it right away, then I wrote a song and went over to my buddy’s house and he recorded it on a four-track. I just went for it. I was really into skateboarding, I remember that was my number one thing, but after I recorded that song, I was like, ‘Well, today songwriting beat skateboarding.’” Vile went on to play with his best friend Adam Granduciel in his arena-Americana band War on Drugs, but bowed out after one record and a European tour in order to focus on his solo work, which he describes as slightly weirder and darker, more demented and paranoid than his buddy’s. Both Vile and War on Drugs will release new records in the coming year—Vile recently wrapped recording with producer John Agnello (Sonic Youth, the Breeders, Dinosaur Jr.)—but until then, Granduciel is moonlighting as a member of Vile’s backing band, the Violators. “Adam’s awesome, he’s a solid dude who’s really good at playing,” says Vile. “We basically developed the sound together, with his band and my band, so we’ll always back each other up when we can.” WITH REAL ESTATE AND NO JOY AT |
| COVER | INSIDE | NEWS | MUSIC/FILM/ARTS
| ENTERTAINMENT
LISTINGS | LETTERS | COLUMNS SEARCH | WEBMASTER | STAFF - CONTACT US | ARCHIVES | SITEMAP |
| © Communications Gratte-Ciel Ltée
2010 |