The Mirror  
Artsweek


Craftmas


FELTED FINDS: Blanket by Lilou & SUF,
and Miss Agonie’s La puce à l’agonie

December is upon us and so is an onslaught of local craft fairs and sales. Here’s what’s on this weekend, Dec. 4–6.

Besuto Craft Show at the Trinity Memorial Church Hall (5220 Sherbrooke W.) takes an untraditional route and features fair trade goods, international fundraising initiatives (for orphanages in both Tanzania and India) and Afghani food, courtesy of the Afghan Women’s Centre of Montreal, next to work by local crafters and designers. It’s on, Friday, 12–8 p.m., Saturday, 10 a.m.–7 p.m. and Sunday, 12:30–6 p.m.

Rusty Plum & Puces Pop pool their resources for Christmas Bazaar, Saturday 11 a.m.–7 p.m., Sunday 11 a.m.–5 p.m. at St-Michel Church Hall (105 St-Viateur W.). Alongside the 60 participants, they’ll also be collecting clothing and non-perishable food items for Herstreet.

Les Ateliers Quartier Général bring 10 distinct artists together at the equally distinct Bain St-Michel (5300 St-Dominique) for Expo-vente de Noël au Bain St-Michel Saturday and Sunday, noon–6 p.m. with a vernissage Saturday at 2 p.m.

The biggest show of all, Le salon des métiers d’art, starts at Place Bonaventure tomorrow at 11 a.m. and is open daily until Dec. 22. Make sure to check out the foodie gifts and the international vendors.

by SACHA JACKSON

Dancing in the bag


WELCOME 2070: Horsey


Performance artist/choreographer Steven Horwood has two obsessions he likes to explore through his art: science fiction and man’s obsession with technology to save himself.

His latest exploration is Horsey, a “space opera that takes place in a paper bag.” Set in the year 2070, the piece, which developed from a work he performed in the spring, involves two rival inventors, Benny and Fritz, who are on the verge of completing a lifechanging invention when things suddenly go awry. The lab blows up and is transported in its entirety into Benny’s lunch bag.

Horwood and his team, which includes a small choir, transform Studio 303 (372 Ste-Catherine W., #303) into the inside of a paper bag. “I want to share what it’s like to be in a brown paper bag floating around in the andromeda,” laughs Horwood. Beam up into his quirky world Dec. 11–12, 7 p.m., $15, (514) 393-3771.

by MARITES CARINO

 

Humorous conceptualism

One of the city’s more mysterious and wordily-named art spaces, We Left the Warm Stable and Entered the Latex Void, is an artistrun- centre in the truest sense of the word in that it’s run by a single artist from his Mile-End apartment (264 Bernard W.).

Established by François Lemeiux in 2008, WLTWSAETLV can be understood as a community-based art project, collaborating with a variety of local and international artists to produce a series of lectures and vernissages.

Tomorrow, Friday, Dec. 4 at 7 p.m., WLTWSAETLV presents a new show by Montreal-based artist and writer Simon Brown. Inspired by what Brown describes as the “most banal aspects of life as well as the most abstruse manifestations of its essence,” the exhibition—a collection of “unassuming objects in a small room with a powerful strobe light”—is a humorous poke at conceptualism. Entitled In Latent Praise of Multiplous Singularity, the project also speaks to Brown’s affection for inspired verbage.

The vernissage will be preceded by an artist talk and conversation with fellow artist and critic Vincent Bonin.

by STACEY DEWOLFE

Island girl

QWF’s Carte Blanche prize-winning poet Julie Mahfood has been boosting her area’s creative writers for a couple of years with the West Island Readers Electric series (WIRE). “I try and pair things, so there’s some prose, some poetry,” says Mahfood. “It’s had a great reception on the West Island. It’s been pretty packed, sometimes overflowing.”

This Tuesday Dec. 8th’s edition of WIRE features three winners of a contest aimed at introducing emerging writers to some of Montreal’s many literary event organizers. The line-up includes fellow West Island poets erika n. white and Louise Carson, Poetry Plus organizers Susan Dubrofsky and John Fretz, Yellow Door series host Ilona Martonfi and writer and editor Jon Paul Fiorentino, all at Café Aurora (552 Beaconsfield), at 7 p.m., for free.

Fiorentino is also part of a great line-up tonight, Thursday, Dec. 3, 7 p.m. at the Yellow Door (3625 Aylmer), including Canadian poetry icon rob mclennan reading from his new novel missing persons. Tickets $5.

by VINCENT TINGUELY

IS IT ART?

BUILDNG WEAR: If you’ve ever looked at a building and thought, “I wish I could look like that,” then artist Joshua DeMonte is your man.

Based out of Philadelphia, DeMonte creates outrageous jewellery pieces that mimic regular old structures like aqueducts, cathedrals and arcades and architectural elements like windows and staircases.

Despite their antique inspiration, the pieces are moulded in a bold white plastic, making his bracelets and collars—which look like something out of the Elizabethan era and stay on by balancing on your shoulders—look surprisingly futuristic. They’re also unisex, so you don’t have to sport your ode to Notre Dame look alone.

coroflot.com

Arts hole

MOTHERLY LOVE: A photographer, a choreographer, a video artist, a sound artist and a couple of dancers come together to present cAvA, an inter-disciplinary show that reflects on the theme of the womb. It opens with a vernissage tonight, Thursday Dec. 3 at 7 p.m. at les territoires (372 Ste- Catherine W., #527) with performances on Dec. 17 and 18, at 8 p.m., tickets $15. ? SING ALONG: Forty people get together this Sunday, Dec. 6 at 9 p.m. at the MainLine (3997 St-Laurent) armed with iPods to form Arcade Choir, an impromptu choir who will sing the entire Arcade Fire album Funeral without any previous practice. Tickets $5 at the door. ? LAST CHANCE ABSTRACT: This is the last chance to check out the work of abstract painter Jean McEwen before they are handed back into the hands of museums and private collections. Jean McEwen is at Galerie Pangée (40 St- Paul W.) until Dec. 7.

Artistat

The number of women artists who are exhibiting work in 20 ans d’actions depuis le 6 décembre at Le Centre d’exposition de l’Université de Montréal (2940 Cote Ste- Catherine) until Dec. 20, in remembrance of the 20th anniversary of the Polytechnique tragedy: 14

 
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