Slide untiedRoots music explorer Kelly Joe
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Mirror: Was intentionally not coming at this record with a handful of compositions done as an exercise, to continue to challenge yourself? Kelly Joe Phelps: That and just having an all-instrumental record was really a challenge for me. Just improvising became a daily ritual for six or seven weeks before I even recorded. In the ’80s, I played a lot of free music with other players and I just felt like I wanted to get back in touch with that kind of musical experience. Even with compositions, I try and keep open to improvisational moments, but I guess part of my brain just wanted to go deeper. M: After not using your lap steel approach over your past couple of records, you picked it up again on this new record. Why the return? KJP: I really didn’t want to limit myself at all on this record and that just kind of led me back to the slide. M: Was your original vision for the record to keep it instrumental or was it more of an organic idea? KJP: There were really no intentions at all. I just thought I was involving myself in kind of a self-study and the only way I would be able to study it is to have some sort of documentation WITH MATTHEW BARBER AT CABARET
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