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This weekend, Sept. 26–28, Distroboto expands again, this time into the lobbies of four Maison de la cultures in Côte-des-Neiges, Hochelaga, Plateau East and Park Ex. “We’re launching them as part of Journées de la culture, so I’ll be at the various locations to explain a little bit more about the project and how it works,” says creator Louis Rastelli. “It’s only for six months, but hopefully it’ll go on for longer.”
Beyond attracting new contributors and participants, the expansion has another hot-topic purpose. Like Expozine, Distroboto is run by Archive Montreal, a non-profit organization that relies in part on government grants. “We’ve applied for an online culture grant, it’ll be the last time the grant is offered, if Harper is re-elected,” he says, “so, ideally, it’s a way to convince the government that this is a legit and important project.”
Grassroots poetry activist J.J. Locke has been busy all summer organizing this weekend’s (Sept. 26–28) inaugural Montreal Public Poetry Festival, a fest built around the Fringe philosophy of first-come, first-served.
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“It allows for a great diversity of poets,” says Locke. “That’s the beauty of the Fringe structure. We don’t judge the poets in advance, but give them an opportunity to present their work and hopefully to make some money.”
More than 30 local and visiting artists will hit the stage at Café Culturel SABA (5124 Sherbrooke W., #A), including Atwater Poetry Project dynamo Oana Avasilichioaei, reading from her new book feria: a poempark, the ubiquitous Throw Collective, and Throw member Chris Masson’s solo show, Rachna Vohra and Rahul Gupta (aka That Brown Bastard!) and poet/muso Erica Ruth Kelly.
“It’ll be really vibrant,” says Locke. “Almost 24 hours of solid poetry over three days!” Check www.publicpoetry.wordpress.com for schedule.
RETURN OF THE MIXTAPE: Ah, the mixtape, progeny of crushes, budding friendships and road trips. A way of saying “this is me,” without actually saying it.
The art form has been in steep decline since the switch from analog to digital,
and even though they don’t get passed around like they used to, they remain highly revered (see High Fidelity.) Given their pop culture status and high school charm, it’s no surprise that in the age of MP3s and downloads, one company is about to bring the mixtape into the 21st century.
The USB Mixtape Memory Stick, which retails for about $20, stores up to 64 megs, enough for 60 minutes worth of music just like the cassettes of old. What really seals the deal, though, is the packaging: the USB comes embedded in a tape-shaped package and includes a quintessential paper cover for liner notes and track listing. www.thinkgeek.com/computing/mp3/9bd7/
OUTSIDE ART: The Dissident Art fest wraps up this week with two end-of-the-week events. Tonight, Thursday, Sept. 25 starting at 7 p.m., Mark Sussman talks about community-based, political and socially minded performances at Puppets as Protest. Artist Dayna McLeod shows her video HotBeaverWetPussy.com as part of the closing reception on Sunday, Sept. 27 at 2 p.m.. Both events at 55 Notre-Dame W. • MIXED TECHNIQUES: Designer Irène Chiasson—who’s best known for placing traditional techniques like crochet and patchwork in a modern context—is honoured with a solo show Between Tradition and Modernity at the Museum of Costumes and Textiles of Quebec (349 Riverside, St-Lambert). The vernissage takes place this Saturday, Sept. 27 at 2 p.m., the show runs until Dec. 7.
The amount it’ll cost you to hear British architect Will Alsop, who designed the recent addition to the Ontario College of Art & Design in Toronto, talk about his creative process at the CCA (1920 Baile) next Thursday, Oct. 2 at 7 p.m.: 0
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