The MirrorARCHIVES: Sep 11 - Sep 17.2008 Vol. 24 No. 13  
Mirror Music



Noise of the world


Montreal’s AIDS Wolf change and
derangeas their third album arrives


RACKET PACK: AIDS Wolf




by JOHNSON CUMMINS

I’m sitting with Montreal’s noisy neighbours AIDS Wolf at Miami, the sleaziest dive on the Main—actually, scratch that, because that would be the Midway on lower St-Laurent but it’s too early in the day for even a barfly like me to try to stomach it. A pairing of faux brick and gaudy hot pink fills the walls as the smell of raw sewage seeps out from the bathroom. Please excuse my cheap journalistic metaphor here, but AIDS Wolf’s sonic assault is even uglier, more vile, more negative and way more fucked up on the senses than even our weird environs can inflict.

Their third full-length, Cities of Glass, is being launched this week, and it hits like a ton of bricks. To the uninitiated, AIDS Wolf’s music can come across as a bunch of noise, but the twin guitars sound as if they’re just about to careen off of the rails, the pounding drums keep things in check while contributing a form to their blast, and the possessed banshee wail of Chloe Lum strikes death from above.

Their upcoming show is bittersweet as longtime guitarist Andre Guerette will be leaving the band within a couple of weeks, on the cusp of the band releasing their crowning achievement. Although Guerette will stay with the band in a managerial capacity, his increased involvement with local promoters Blue Skies Turn Black has made being in a touring band simply impossible. In the wings is guitarist Alex Moskos, of Goa and the Unireverse, currently being put through boot camp, trying to find the order in the complex, chaotic and unbridled guitars.

“We actually have been filming all of the guitar parts and then burning them on DVD, and then Alex learns them that way,” says Guerette.

“I’ve always liked the band a lot,” says new recruit Moskos, “and I’ve really wanted to start playing guitar again. I’ve known Chloe for years and it’s a great opportunity to be able to tour as much as these guys do.”

Harangued in the Holy Land

Touring has always been a big part of the band, with numerous tours paying off for AIDS Wolf by breaking ground and creating a fanbase of likeminded people worldwide who dig their misanthropic rock—er, weird punk. Having already clocked quite a few miles in the U.S. and Europe, the band recently found themselves with a week of shows in the unlikely locale of Israel.

“All of the cities were about an hour from each other,” says Lum, “so we were able to spend a lot of time on the beach and swim all day while just staring at these hot-looking people. The shows were pretty well-received because half the people were knowledgeable about the scene that we’re in, and the other half just showed up because we were a Western rock band.”

“We did one show at an art school in Jerusalem that was pretty cool,” says Guerette. “When we finished playing our last song, we could hear this woman screaming in Hebrew out her window across the street from the place we played. We later found out at an interview at the radio station from the DJ who was at the show that she was screaming ‘Die, die, die’ over and over again at us.”

CD LAUNCH WITH GUESTS INDIAN
JEWELRY AND PANOPTICON EYELIDS
AT LA SALA ROSSA ON FRIDAY,
SEPT. 12, 9 P.M., $10

Rock your socks on

The nine principles of AIDS Wolf

Like Christians, Cub Scouts, Alcoholics Anonymous and the Black Panthers, any group worth its salt has to have a solid point plan to live by. AIDS Wolf have collectively cooked up a doozy of their own, printed here for the edification of Mirror readers.

Maintain a daily ritual: “Music is like breathing, eating, sleeping, pissing and, with any luck, fucking. Music must be a physical need and a mental compulsion.”

Live aesthetic immersion: “There is no reason a sonic composition cannot be inspired by or contribute to a drawing, a tasty curry or one’s choice of socks.”

When in doubt, bum them out: “If you can’t convert ’em, make ’em run crying, holding their ears.”

Get in the van: “’Nuff said.”

Seek strength through strength: “Gear’s gotta be carried, sleep must be forsaken and tours have to be survived.”

Join the family: “Camaraderie with other bands is not only inspiring but also serves as a vital metric by which to measure one’s own perceived worth.”

Allow for sonic fields of nothing: “The use of negative space in music creates new dynamics, abstracts the obvious and challenges both the creator and the audience.”

Lift anchor and set sail: “De-anchoring compositions by dispensing with a bass guitar allows AIDS Wolf to make rhythm the central feature of its performances.”

Become the weird punks: “Remember when punk was weird and when weird was punk? Destroy genre straightjackets and move out of the comfortable.”

–JC

 

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