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Griot riot
In Africa, the griot plays a role reminiscent of the bard of ancient Celtic culture. He serves as the repository of the people’s oral culture—poems, songs and stories, which are performed with voice and kora. Since moving to Quebec three years ago, Senegalese griot Sadio Sissokho has continued to pursue the art passed on from his father, a famous musician who toured West Africa with Soriba Kouyaté and played kora in the Senegalese National Ballet. Sissokho’s been collaborating with Trevor Ferrier, former percussionist for Rare Air and a devotee of the kalimba. “I’ve been playing music all my life, but this guy got me out of retirement for sure,” Ferrier declares. “For me, this represented a new opportunity to learn a pure tradition.” The duo will be performing with saxophonist Bryan Highbloom at this Sunday’s Words and Music at the Casa (4873 St-Laurent). The line-up also features Montreal-based Inuit spoken word artist Taqralik Partridge, and Luna Allison will launch her new mini-CD, Urban Lullabies. Feb. 19, 9 p.m., $5. —Vincent Tinguely Nervous ticks
“We’ve been working on ideas from an emotional space,” he says, describing The Space Between, which takes on the complexity of personal communication through choreography. “We look at different states you might go through before you make the first connection with someone.” Tay says discomfort is one of those states he translates into dance: “We definitely work a lot with nervousness and nervous ticks,” says Tay, who was striving for what he calls a “stop-motion animation physicality.” It’s aptly set to music by Toronto-based vitaminsforyou. Other short works by choreographers Josée Gagnon, Dean Makarenko, Chantal Lamirande and Andréa Dugas-Hawkes round out the Vernissage-danse #127 program this Saturday, Feb.18, 8:30 p.m., at Studio 303 at (372 Ste-Catherine W., #303). Call 393-3771 for more info. —Marites Carino Ultimate playgrounds
Sphere factor
Is it Art?
ArtsHole LUST AND LIGHT: Dave St-Pierre’s hot and heavy hit choreography, La Pornographie des Âmes, rife with aggression, transgression and dancing so forbidden you’d think it was the lambada, is back as part of the Montreal Highlights Festival, running Feb. 16–18 at the Théâtre d’Outremont (1248 Bernard W.), 908-9090. More info on the festival, which features a gazillion activities until Feb. 26, can be found at www.montrealenlumiere.ca. • MOTHER AND CHILD AND UNION: British-born playwright Andrew Biss’s most unorthodox family drama Cuthbert’s Last Stand, in which a mother tries to pair her ill-tempered son with a handsome suitor she has coerced into coming over for tea, plays out at the Théâtre Ste-Catherine (264 Ste-Catherine E.) until Feb. 26. ARTISTAT: Number of Quebec English-language books that can be found in the Quebec Writers’ Federation section at the Atwater Library (1200 Atwater), and very soon to be listed, with synopses, in an online database accessible through www.qwf.org: 500 |
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