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Hyper octave >> Shequida’s libertine librettos |
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by JOHN CUSTODIO
Mirror: When you first started out, people thought you were lip-synching. Does that still happen? Are you ever tempted to shatter their eardrums by singing your highest note into their ears? Shequida: No, I would never do that. One whiff of my breath after a night of bars, booze and boys is usually enough to kill anyone. M: Yours is a true soprano voice, right, not a falsetto? I know this is crass, but there are people out there who believe the stupidest things, so for the record—you do still have your testicles, and they did descend properly, right? S: Yes, I do have them still. They descended, as any normal person’s would, and fell into a glass jar. I travel with the jar as proof. Wanna see? M: Have you always had a five-octave range, more or less, or did you have to work to achieve it? S: My voice grew from years of training and practice. The first three years of the ninth grade were difficult, but I finally graduated from high school and was lucky enough to go to Juilliard, where I went every week to clean toilets and sweep floors. M: Who would win a cutting contest, you or Mariah? S: Mariah who? M: Other drag queens must envy your talent. Other sopranos must envy your gorgeous looks. Which do you fear more? S: I fear no one, really, because there is room for everyone with talent. Oh wait, I do fear one thing—remaining a virgin. At Cabaret Mado on Wednesday, Nov. 23, 9 p.m. |
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