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Bad spelling >> Bee Season is a disappointing
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by MATTHEW HAYS
If you happen to have missed that movie, I urge you to catch it on DVD. It was a textbook case of economic filmic storytelling, not to mention a landmark performance by Tilda Swinton. She played a woman tortured by the inadvertent crime of her adolescent son, and the lengths she goes to in a desperate effort to protect him. That film was downright Hitchcockian in its dragging of an ordinary woman into extraordinary circumstances. It was one of the best movies of that year. I do hope Bee Season is a career aberration for these directors. In it, Richard Gere plays a Jewish scholar, his wife (Juliette Binoche) a scientist. They have two sweet, highly intelligent children, an 11-year-old (Flora Cross) and a 16-year-old (Max Minghella). All seems perfect until Cross begins to show a strangely brilliant knack for spelling. She’s soon climbing the ranks of the spelling-bee championships, going to ever-more-prestigious competitions around the country. In this pseudo-cautionary tale, that growing ambition at too young of an age begins to severely throw off the balance of this highly-charged, complicated family. Gere gets obsessed with tutoring her to greater heights. Binoche begins to careen off the emotional edge towards a breakdown. Minghella, meanwhile, gets the hots for a young Hare Krishna gal, which means he starts parading around in an orange bed sheet. What is the world coming to? And what is this movie coming to, I was asking by half-time. Where The Deep End was rooted in a secular realism, with a middle-class family’s normalcy shattered by the underworld of petty crime, Bee Season is a New Agey mishmash of spiritual ideas about life, family and personal happiness—or something like that—ultimately looking more like a screenplay Oprah Winfrey wrote after ingesting too many Sudafeds. You have been warned. Bee Season opens Friday, Nov. 18 |
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