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It takes a Village >> Naughty bikutsi, Afro-reggae, masked music and bike-wheel balancing at Nuits d'Afrique's climactic final weekend |
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Moto de Kapia Vivid displays of traditional African dance and costume are of course a mainstay at Nuits d'Afrique, especially during the "Village" weekend. But Quebec-based Congolese performer Moto de Kapia makes a point of standing out from the pack. Dynamic dancing, loaded with sexiness and humour, is Moto's modus operandi, in full leopard-skin Congolese regalia no less. He takes it a step (pardon the pun) further, though, by clowning around and incorporating nutty parlour tricks - you try dancing with a cup of water balanced on your head or a bicycle wheel between your teeth! Friday, July 22, 5:30 p.m. Ismaël Isaac Isaac was born Issiaka Diakité in the teeming Treichville neighbourhood of Abidjan, Ivory Coast. The passing of Bob Marley in '81 cemented his sense of reggae's importance in Africa, but it was the arrival of fellow Treichviller Seydou Koné - better known these days as Alpha Blondy! - that inspired young Isaac to start makin' like a Jamaican. Not that Isaac's brand of reggae is pure imitation - singing in Mandinka, Malenké, Bambara, Dioula and French, Isaac adds a West African inflection to his musical message of traditional values meeting modernity. Friday, July 22, 8 p.m. Kaleta
K-Tino Thanks to Manu Dibango, the makossa sound is the one that gets associated, internationally, with Cameroon. Thing is, since the late '80s, the quick, pelvis-pumping bikutsi style has been ascendant there, and with it singer K-Tino. For some reason, uptight fussbudgets have been accusing her of being obscene and lascivious. Okay, granted, she does have songs called "Action 69," "Viagra," "Ascenceur" and "Casse Bambou." But as she said in a 2000 interview, "Saying my music is obscene is saying that the Ewondo language is obscene." In other words, deal with it, sex-o-phobes. Sunday, July 24, 4:20 p.m. |
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