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![]() VERDUN BOYS GONE WILD: A group of happy go-lucky revellers from everybody's favourite Southwest borough show their Irish roots at last Sunday's St. Patrick's Day parade. Although reportedly less-attended than in other years, many thousands took advantage of the 181st annual rite of spring to get shitfaced in public. Police reported a few minor scuffles but no major incidents. » Photo by Rachel Granofsky |
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Quote of the week: "It's resolved. I'm going." - Embattled CHOI-FM personality Jeff Fillion, announcing his resignation effective April 1, citing personal reasons. The Quebec City morning man was being sued by weather presenter Sophie Chiasson for defamation. Protesting Iraq, post-election This Saturday, March 19, marks the second anniversary of the start of the American-led invasion, conquest and botched occupation of Iraq. Thousands of dead, billions of dollars and one election later, the Montreal-based anti-war group Échec à la guerre, along with hundreds of other groups worldwide, believes that protesting the war is still relevant. "There's still a lack of information about what's going on inside Iraq," says Échec's Raymond Legault. "The U.S. played the election in a very positive way, as being a victory of democracy over terrorism, and while I think it's good that there were elections, they are not rethinking their position. And [with all the irregularities], if this election were held anywhere else, it would have been considered invalid." Legault believes that the situation two years on provides ample grounds for dissent. Reconstruction, he says, is "a joke," with promised funds not forthcoming, sky-high unemployment, water and electricity lacking and street-level chaos continuing. The Saturday, March 19, anti-war march through downtown starts at Dorchester Square (René-Lévesque and Peel) at 1 p.m. » Patrick Lejtenyi Toons against racism Editorial cartoons are supposed to be easy to read, timely and, one hopes at least mildly funny. They can also be powerful, as can be witnessed at the Bonsecours Market (350 St-Paul E.) from Thursday, March 17 to Thursday, March 24 - the sixth annual Action Week Against Racism (AWAR). Cartoonists Against Racism - Le raciste, c'est l'Autre, a collection of 69 pieces by 48 international artists, will address the racism issue as seen by some of the finest editorial cartoonists in the world. Artists from 25 countries and publications including The Guardian, Le Monde, The Economist, La Nacion, O Globo, El Pais and many others will be featured. "Cartoons are extremely simple and touch people because they have the power to amuse or disturb," says Gaëlle Brocvielle of Images Interculturelles, AWAR's organizer. "In a very simple way, with very few words, they show the absurdity and incoherence of things in our society." She hopes to eventually take the exhibit on the road and show it internationally. AWAR will also have film screenings, music nights and public meetings. For more info on AWAR, see www.inforacisme.com. » Patrick Lejtenyi Couriers get tax cut Tom Ostreiko can now lunch on even more of his favourite soup from PVM and stew from a Polish joint on St-Mathieu, because the feds now allow non-motorized couriers to write off $15 of food-fuel, up from $11 a day. The idea is that food is to couriers what gas is to drivers. "Everybody has to have lunch in order to be productive," says Ostreiko, a counsellor at the Montreal Biker Messenger Association. "In the case of a courier, if you don't eat you slow down so much it becomes not cost effective." The news means an extra $1,000 per year for non-motorized couriers, according to Wayne Scott, head of Toronto's Hoof&Cycle Active Transport Workers Guild. Scott started fighting for the deduction in 1981 before the feds finally relented in 1998. The $11 total was based on a similar total for train workers, and when that recently got hiked, Scott demanded and received a similar new deal for couriers. His crusade has made him popular among his colleagues. "I haven't had to pay for a beer in years," says Scott. » Kristian Gravenor Head and Hands at 35 One day, if somebody asks you what you were doing Friday, March 18, 2005, between 6 and 8 p.m., your best answer will be, "Why, I was attending the Head and Hands 35th anniversary party, of course!" And if you wonder what Head and Heads does exactly, here's your answer: "We offer non-judgemental, holistic, medical, legal and social services for youth aged 12 to 25," says director Marlo Turner-Ritchie. "So, for example, we run clinics in the evening and we have specialized counselling and support, with a young parents program and a youth drop-in centre." Their newish storefront digs at 5833 Sherbrooke W. (corner Melrose) is also known to be a good place to discreetly check out what sexually transmitted infections you might have picked up recently. Services are open to people from all over. The party, to be held at the Head and Hands HQ, is part of what Turner-Ritchie calls "an emergency fundraising campaign," and will feature a silent auction of artwork, youth performers, a dancer, the ubiquitous DJ and the Yellow Door Choir, as well as booze. » Kristian Gravenor REAR-VIEW MIRROR 16 YEARS AGO THIS WEEK On the cover: A loincloth-clad Japanese Kodo drummer, pounding a 900-pound O-daiko drum, whose troupe is coming to Montreal. "There are other styles of drumming in Japan, such as the Noh or Kabuki theatrical styles, but they demand a more refined ear," says troupe spokesman Bob Ward. "The folk [Kodo] style was for the workers and the rowdy town festivals - it was for the common folk." "The main problem with being a girl in this business is what I call the bimbo factor," Bananarama's Sarah Dallan [sic] tells Marian Macnair. "The record company higher-ups will take you out and use you like an ornament, it's like they're going to sell you. We don't behave like that naturally, so we're just as likely to punch one of them in the face as flirt with them." Despite being billed as a "‘post-feminist comedy' (whatever that is)," writes Carla Gruodis, Les Pirates, a play about two 18th-century female buccaneers, offers little more than "flat parodies of butch girls and wimpy guys."
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