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Tryin' for Hawaiian >> The tropical fantasy of Vancouver's Secret Mommy |
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by RAF KATIGBAK
Discovering noisy, hyperkinetic electronic music by way of noisy, hyperkinetic punk music, Dixon's latest offering (the Hawaii 5.0 EP on his own Ache Records) has a playful and charming sloppiness to it that owes as much to the circumstances surrounding its inception as it does his noise-rock roots. "I wanted to make an album for my brother's wedding in Hawaii. So I thought I'd bring a mini-disc and record sounds and make an album with the sounds. But then I just got so impatient. I said, ‘Forget it,' and made the album before I left." The result is a plunderphonic patchwork of tropical sounds - Hawaiian slack key guitar and language lessons, Brazillian bossa nova, Caribbean steel drums and of course seagulls - processed, distorted, and sliced via computer and spat out the other end like a volcano of musical magma erupting at 140 bpm. "I wanted to make it somewhat accurate," says Dixon of his respect for Hawaii's musical traditions. "I didn't want to just pull stuff out of my ass. Don't get me wrong, I didn't write any essays or take any books out of the library or anything. In fact, I actually fucked up. I thought there were seagulls in Hawaii so I put them on the album. Of course, when I got there - no fucking seagulls." With Tinkertoy, Des Cailloux et du Carbone, DJ Utility and DJ Ovalroaster at O Patro Vys on Friday, Sept. 24, 10 p.m., $8 |
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